Most of this week was spent editing my novel Tailor of Echoes before it goes back to the publisher for copy editing, but today, I needed to break out the technical pens and draw this vignette piece called Rumour. It’s a playful reflection of everything going on in the world right now. The piece is available on my webstore.
Speaking of the webstore, my summer sale has now ended. Thanks to everyone who took advantage of the 25% off deal to pick up a print or original. It’s much appreciated. Please keep checking back as I will be adding new things from time to time.
Finally today, I just wanted to remind you that copies of my illustrated short story collection Magpie’s Ladder are still available on the PS Publications website. If you missed the trailer I made for the book, you can see it on Vimeo. My novels Necessary Monsters and The Lost Machineare now available on Audible in audiobook format from Ecyclopocalypse
One of the pieces I’m working on this fall is The Wedding of the Earth and Sky. It will be entirely stippled with my trusty Rapidograph pens. I am pleased with the progress so far. Apart from the pencilling, these images represent about 4-5 hours work thus far. I’m already penciling two more pieces in this cycle of work. I’ll be posting updates as work progresses.
My first two novels will soon be available as audiobooks! They are currently in production at Encyclopocalypse. Over the weekend I heard a 15 minute sample of the narration for The Lost Machine and it sounds absolutely fantastic. The audiobooks will be available on Audible. More information about this release soon.
This is an iPhone snap of a watercolor I did a few weeks ago. I plan to do a version of it in oil in due course. It was necessary to suspend my use of oil for a while as the products I was using led to some pretty trippy – but ultimately not fun – ocular migraines. Since then, I have added some odorless oils to my supply cabinet. I’m at the point where I can resume. I really like working in oil – though if you are familiar with my monochromatic ink work you would be forgiven for assuming otherwise. I’ll post my progress here.
At the moment, I am taking a break from social media, specifically Facebook, Instagram and Twitter, so this blog is your best bet if you are interested in my new work. My reasons for stepping back are largely related to a desire to enhance my productivity, but they are also related to the attitudes the designers of these platforms have for privacy, data harvesting, and surveillance. Time will tell how these issues are resolved but for now I plan to be more circumspect in the use of the platforms (though in full disclosure these blog posts are shared to Twitter).
If these issues are of interest to you also, I recommend:
The Age off Surveillance Capitalism by Shoshana Zuboff
World Without Mind by Franklin Foer
Zucked by Roger McNamee
Digital Minimalism by Cal Newport
These books have all been published recently and give excellent overviews of the issues from slightly different perspectives.
Pollen is a new drawing (personal work) that I finished towards the end of January. It was done using .13 & .18 Rotring Rapidograph pens. The image below is a quick iPhone shot of a new work in progress called Hearts Divided. I’m hoping to get it done in the next few weeks, working on it between other things. The piece is 17″ x 14,” ink on archival quality illustration board.
On the writing front, I’m in the middle of a full revision of my latest novel The Tailor of Echoes. My goal is to have it completed by the end of March.
I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.
Last night, I cleaned out my trusty Rotrings so that I could do some pointillism work. I had an idea for a new drawing, a flower creature. This kind of drawing starts off as stream of consciousness, all about the sheer pleasure of line. The finish though will be very controlled and polished, as everything is pulled together into a galaxy tiny dots. What you see here is only the underdrawing. I like the collision of ideas: plant, animal, & sound. This piece is approximately 9″ x 6″ and will be available on my website soon.
I finally finished rendering The Tin Man’s Dream in pointillism. This drawing was started back in 2014 as a line drawing. It sat for a year, during which time I digitally colored the image. At the end of last year I decided to complete it as a pointillism piece. I’m hanging on to the original, but I will be making a print in February, which will be available on my webstore. You can click on the images below to enlarge the images.
This is a detail of the piece I am working at on this cold, cloudy November day. It’s a small figure but it took 3 hours to ink. The reason being that the brush I was using is superfine, and though the godless jpeg compression would not have you believe it, the gradations are quite subtle. I hope you enjoy this little peek. This morning’s musical selection in the studio was Foals. A really excellent band I was completely unaware of before 9 AM.
Also, a friendly reminder that the Bestowed Upon Us show opens tonight at the Alexi Era Gallery. If you are in the area, please go and check it out. I’ve seen the preview and it is a gorgeous show. Thanks for your support.