3 Windows

One might be forgiven for thinking this piece a surrealist response to Aubrey Beardsley’s illustration, The Examination of the Herald from Lysistrata, but it is in fact a meditation on vision (see previous posts). I hope you have enjoyed watching this process. This work is available for purchase. Please message me with any questions.

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3 Windows, 2020, ink on paper, 12 x 8″

Three Windows – The Building

This progress shot represents several hours of cross hatching using very fine brushes with diluted ink. It looks a little stark without the framing background elements but so far so good. My main goal for this building was to capture the weathered, patchy elements. I always forget how grotesquely time consuming this technique is, but it it’s also very meditative. So there’s that.

This piece is about vision. The building represents the enclosed brain relying on inputs from the optic nerve to create an image (some say, hallucination) of the world outside.

Three Windows – Work in Progress #2

Three Windows

I started working on this new piece today on a block of 140lb Arches hotpress. Tomorrow I’ll start the real work of rendering the image using diluted inks to model the forms. As I go along, I’ll post some progress shots here on the blog. Although I did many works with this technique in the past, its been a few months, so I’m looking forward to it.

Mysterious Garden

Last night I finished Mysterious Garden Ex.1 a new silverpoint drawing. As the name implies, I plan to do a few more of these imaginary plants. This work is available on my Big Cartel webstore.

On another note entirely, I have re-booted my book blog, Amnesiac’s Library. It’s a place where I talk about my book projects and post various bits of ephemera about book related stuff I like. I hope you’ll check it out and give it a “follow”.

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Mysterious Garden Ex. 1, 2020, silverpoint on board, 8 x 5.5 inches.

Some Miniatures

I’ve been working on some silverpoint miniatures over the last few days. These are done with silver wire on a plate finish archival illustration board. I worked them directly on the ground with no under-drawing. I hope you enjoy them. If you are interested, they are posted on my webstore for sale.

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The Plague Tree

The Plague Tree, 2020, ink on paper, 27 x 19 inches

Back in March, when Covid 19 started to seriously impact our lives, I knew I wanted to do a piece of art as a way of processing what was happening. I had a large sheet of watercolour paper mounted on an archival board that had been sitting around the studio for a number of years. This seemed like the right surface for this project. The imagery came out of my subconscious, mostly fragments of dreams I was having, and some were pulled from sketchbooks. The theme is simple: human knowledge and structures, represented by the tree of knowledge, are humbled before nature.

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Detail 1
Detail 2
Detail 3
Detail 4

Rumour

Rumour, 2020, ink on 140lb Arches hotpress paper, 7 x 10 inches
Documentation – work in progress from iPhone
Documentation – work in progress from iPhone

Most of this week was spent editing my novel Tailor of Echoes before it goes back to the publisher for copy editing, but today, I needed to break out the technical pens and draw this vignette piece called Rumour. It’s a playful reflection of everything going on in the world right now. The piece is available on my webstore.

Speaking of the webstore, my summer sale has now ended. Thanks to everyone who took advantage of the 25% off deal to pick up a print or original. It’s much appreciated. Please keep checking back as I will be adding new things from time to time.

Finally today, I just wanted to remind you that copies of my illustrated short story collection Magpie’s Ladder are still available on the PS Publications website. If you missed the trailer I made for the book, you can see it on Vimeo. My novels Necessary Monsters and The Lost Machine are now available on Audible in audiobook format from Ecyclopocalypse

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