I finally finished rendering The Tin Man’s Dream in pointillism. This drawing was started back in 2014 as a line drawing. It sat for a year, during which time I digitally colored the image. At the end of last year I decided to complete it as a pointillism piece. I’m hanging on to the original, but I will be making a print in February, which will be available on my webstore. You can click on the images below to enlarge the images.
One of the joys of the year coming to a close is thinking about what will come in the next year. This is a time when I make a lot of lists; possible names of new drawings, ideas for images, books I want to read and things to research. Right now I am thinking of a series of drawings that could be a book, or an exhibition or both. Time will tell. It’s going to be called Oneiric Natural History.
I have produced a PDF price-list of selected unframed works created in 2015. These are works that I was compelled to create, not for formal exhibition or specific projects but simply for the sheer joy/ challenge of doing so. If you check my blog or FB page every now and then, some of the images may be familiar to you. If you are interested in seeing the price-list, please contact me: Richard A. Kirk, and I will send it to you. Works are offered on a first come, first served basis. Serious enquiries only please.
Alexi Era Gallery has posted the Bestowed Upon Us show preview on their website.
Continuing the Walking Backwards theme for a second day, I give you Idle Hands. This one wasn’t even on my hard-drive. It was hidden away on a recordable DVD. Honestly, I had completely forgotten about it. I’m not sure why. It has a lot of my favorite elements: books, wasp nests, birds, weird characters with ambitious heads.
The Dark Bead is finally finished!
This image shows the completed drawing, The Dark Bead. You can see details and work in progress images in previous posts. The Dark Bead is an ink pointillism drawing done primarily with a Rotring .13 technical pen, and a Koh I Noor .18 for the outlines. As is typical for pointillism, this drawing took many hours of work. I chose this style for its soft gradations and ability to deliver fine detail.
A theme of impenetrable mystery is at the heart of The Black Bead. The narrative revolves around the nature of the bead and its import to the creatures. The bead represents any kind of mystery and proposes that any mystery can seem magical until it is understood. The drawing also raises questions about the cottage in the distance, the identity of the creatures and the setting. It is deliberately non-committal about the time period, suggesting an otherworld scenario; a liminal place of change.
Up next is a larger piece for a show coming up at Copro Gallery later in the fall. Stay tuned.
I thought I’d share my progress to date on The Dark Seed. It took a bit of a back seat to Bells Call Others, but it’s not unusual for me to have several drawing on the go at once. This strategy is necessary as pointillism is by its nature a slow technique. Having a few drawings in play allows me to keep my interest high, and my eyes rested.
As time permits I’m also working on getting 2 books ready for printing, a novel (Necessary Monsters) and a collection of 5 short stories (Magpie’s Ladder). I’m working toward having them both out for 2016 under the Radiolaria Studios imprint. Time is needed to produce the illustrations and as anxious as I am to have them out in the world, I want to make sure the illustrations are perfect. I will no doubt be posting samples in the months to come.
On the subject of books, a little bit of poking around on the internet revealed that Tome II: Melancholia has been received by the publisher 44Flood. If you are not aware, Tome is a sumptuous art book featuring many artists, and interviews where the artists talk about their work. My work is included and I was fortunate enough to be interviewed by the author Clive Barker. As soon as I get a copy in hand I’ll post some images. In the meantime, follow the links for more information.
That’s it for now.