TheWedding of the Earth and Sky

One of the pieces I’m working on this fall is The Wedding of the Earth and Sky. It will be entirely stippled with my trusty Rapidograph pens. I am pleased with the progress so far. Apart from the pencilling, these images represent about 4-5 hours work thus far. I’m already penciling two more pieces in this cycle of work. I’ll be posting updates as work progresses.

– Richard

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Spring Sale on Small Originals

I am offering 20% off original art on my web store until Sunday, May 19. This is a great opportunity to pick up a smaller original work for a great price. Several have already sold. I won’t be offering sale prices again until the fall. Here is just one of the pieces currently available.

A stipples drawing called Somnium
Somnium, 2018, ink on paper, 10” x 7”
Detail of a stipples drawing called Somnium
Detail of Somnium

New Drawings

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Fish Scale, 2017, 10″ x 8,” Ink.
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Night Flowers, 2017, ink on paper, 10″ x 8″

Fish Scale was done as a personal piece, Night Flowers was a commission. Fish Scale may be an alien, walking a lonely shore on his first day on earth, or maybe he’s a creature that coalesced out of the landscape. Night Flowers stands before her mist shrouded woods. Is she barring entry, or is she here to guide you to a magic realm? I’ll let you come up with your own answers to these questions.

Voices Dry and Hollow

Here is a new piece that I finished this afternoon called VOICES DRY AND HOLLOW. The title comes from lyrics of a song by Team Sleep called Tomb of Liegia:

“Hear the crowd of ghosts,

Their voices dry and hollow,

Can’t you hear their calls?

They cheer me to the gallows.”

The art has no affiliation with the band, I just liked the words and the song. I hope you like the piece. If you are interested in purchasing this work, please check out my webstore.

Water Column & Forager

This is a new drawing called WATER COLUMN. It is available for sale on my webstore.

WATER COLUMN is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on 200 G Cranson Watercolour Paper. The page size is 8.5″ x 11.”

This piece, FORAGER, is also available.

FORAGER is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on toned 250 GSM acid free Stonehenge paper. The page size is 9″ x 12.”

Purchased item ships flat, well protected in 3 layers of foamcore.

Hypnos

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Hypnos, 2017, ink on paper, 11″ x 8″
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Hypnos, detail
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Hypnos, detail
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Hypnos, detail

I just finished this new drawing. It was originally intended to be called Neume (see earlier post) but a different character emerged in my mind as I worked on it. I’ve added a few details for a closer look. This work will be for sale on my webstore shortly. If you are interested, hit me with an email or message.

Richard.

Neume

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Neume – work in progress

Last night, I cleaned out my trusty Rotrings so that I could do some pointillism work. I had an idea for a new drawing, a flower creature. This kind of drawing starts off as stream of consciousness, all about the sheer pleasure of line. The finish though will be very controlled and polished, as everything is pulled together into a galaxy tiny dots. What you see here is only the underdrawing. I like the collision of ideas: plant, animal, & sound. This piece is approximately 9″ x 6″ and will be available on my website soon.

. Richard.

Nameless Larvae of the Other Gods

Here is my piece for the In the Depths show to be held at Copro Gallery in August. The show is curated by Cris Velasco and features works themed  around the writing of H. P. Lovecraft.

I always associate the works of Lovecraft with the doldrums of summer. I was barely a teenager when I discovered Lovecraft, thanks to a rich vein – that reeked of the last owner’s cigarette smoke – in a nearby used bookshop. It was a discursion from  Tolkien, Verne and Peake, my other favorites at the time.

It is pointless to pretend that his lush writing did not have an influence on my developing artistic aesthetic. All those strange cities and damp gardens, and of course the monsters, had a way of sticking in the mind and resurfacing at unexpected moments.

Maybe one day someone will hire me to illustrate a Lovecraftian edition, until then, I’ll leave you with the Nameless Larvae of the Other Gods. If you are interested in purchasing this piece from the show, please contact Copro Gallery.

  • Richard.
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Nameless Larvae of the Other Gods, 2016, ink on paper, 14″ x 10″

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Tin Man’s Dream

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Tin Man’s Dream, 2014-16, ink, 14″ x 10″

I finally finished rendering The Tin Man’s Dream in pointillism. This drawing was started back in 2014 as a line drawing. It sat for a year, during which time I digitally colored the image. At the end of last year I decided to complete it as a pointillism piece. I’m hanging on to the original, but I will be making a print in February, which will be available on my webstore. You can click on the images below to enlarge the images.