Rendered the first figure on this piece.
This progress shot represents several hours of cross hatching using very fine brushes with diluted ink. It looks a little stark without the framing background elements but so far so good. My main goal for this building was to capture the weathered, patchy elements. I always forget how grotesquely time consuming this technique is, but it it’s also very meditative. So there’s that.
This piece is about vision. The building represents the enclosed brain relying on inputs from the optic nerve to create an image (some say, hallucination) of the world outside.
Here is my new drawing Beyond the Reach, just completed today. I hope you enjoy it.
Here’s another quick ink and watercolour piece. I’m starting to think about a slightly more ambitious piece.
Wrath is my latest drawing. It was done for an upcoming show at Copro Gallery in California called 7 Sins. The show, curated by Cris Velasco, opens June 8.
Pollen is a new drawing (personal work) that I finished towards the end of January. It was done using .13 & .18 Rotring Rapidograph pens. The image below is a quick iPhone shot of a new work in progress called Hearts Divided. I’m hoping to get it done in the next few weeks, working on it between other things. The piece is 17″ x 14,” ink on archival quality illustration board.
On the writing front, I’m in the middle of a full revision of my latest novel The Tailor of Echoes. My goal is to have it completed by the end of March.
I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.
Symphonist No.5 is a silverpoint miniature (4″x3″). It’s one of an ongoing series. Silverpoint lends itself beautifully to miniature work due to the precision you can get with the silver stylus. Over time, this drawing will darken as the particles of silver trapped by the ground begin to tarnish.