Bird of Ill Omen

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Bird of Ill Omen, 2020, ink on 300lb cold press paper, 10 x 14 inches

The Bird of Ill Omen, was finished earlier this year. Even though it’s only the end of March, the time spent on this drawing already seems long past thanks to the dramatic events in response to the Covid-19 pandemic.

The first tentative lines for this piece were drawn many years ago: the creature with the bird wings for arms and a few simple lines to indicate the form of the main figure. It was put away, and I forgot all about it. When I returned to it this year, I started by fleshing out and rendering the figures. Only when that was done did I add in the background, and the owl (lending the piece its folkloric title). Compositionally, this piece is a pattern of scalene triangles, and rectangles. The buildings in the distance echo the two main figures. There are strong lines from the elbow of the bird man to the eyeball and the hip of the primary figure. Thematically, it follows my usual preoccupations: artificial life, mutable forms and birds.

The primary figure of the artificial life form is not a scientific construction, but rather  magical creature embodying the form of its human creator. It’s simultaneously liberated from stasis by human imagination but fated, maybe doomed, by the limits of the same. Its form follows the human. It’s bias is human. The mutant may represent science gone awry though genetic manipulation – an attempt at developmental peak hopping contrasted with the slower hill climbing of evolution represented by the owl. But I guess if you’ve watch Blade Runner, or more recently Westworld, you know how reliable appearances can be.

  • Richard

PS. It wouldn’t be unreasonable to see a homage to the Residents in this piece.

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Detail 1
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Detail 2

Hypnos

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Hypnos, 2017, ink on paper, 11″ x 8″
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Hypnos, detail
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Hypnos, detail
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Hypnos, detail

I just finished this new drawing. It was originally intended to be called Neume (see earlier post) but a different character emerged in my mind as I worked on it. I’ve added a few details for a closer look. This work will be for sale on my webstore shortly. If you are interested, hit me with an email or message.

Richard.

Of a Monstrous Child

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Of a Monstrous Child
2013
ink on paper
14″ x 11″
© Richard A. Kirk 2013

This isn’t the drawing that I intended to create. I had a different idea but when I started to execute it, other ideas came to me and I decided to go with it. I will get back to the original idea at some point. For this piece, I used a .18 Rapidograph pen.

I stole the title from Michel de Montaigne but the drawing does not bear any relationship to his essay. It was simply a phrase that harmonized with what I wanted to convey with the drawing. At times like these I wish I had the skills and resources to realize the costume in cloth. Eiko Ishioka would have been fun to collaborate with! Alexander McQueen? Sigh.

Anyway, this piece is for sale in my shop. If you are interested, you can find it here.

– Richard.