Update

This is an oil I’m working on. I set up a mini-studio on my porch for better ventilation.

I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”

Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.

Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.

– Richard

The Hidden Exhibition

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I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.

Here are some detail shots.

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– Richard.

Antipodes Project

Hot off the drawing table, a new ink drawing for the Antipodes Project originally started by artist Ben Tolman. Visit Joe MacGown’s blog for a good background on the project. I really enjoy creating these intensely packed drawings.

I should also mention that my drawing Hypnos is on display this weekend at Copro Gallery as part of the Underworld show. Contact the gallery for information.

  • Richard.
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Hypnos, 2017, ink on paper, 11″ x 8″

Symphonist 5

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Symphonist No.5 is a silverpoint miniature (4″x3″). It’s one of an ongoing series. Silverpoint lends itself beautifully to miniature work due to the precision you can get with the silver stylus. Over time, this drawing will darken as the particles of silver trapped by the ground begin to tarnish.

Voices Dry and Hollow

Here is a new piece that I finished this afternoon called VOICES DRY AND HOLLOW. The title comes from lyrics of a song by Team Sleep called Tomb of Liegia:

“Hear the crowd of ghosts,

Their voices dry and hollow,

Can’t you hear their calls?

They cheer me to the gallows.”

The art has no affiliation with the band, I just liked the words and the song. I hope you like the piece. If you are interested in purchasing this work, please check out my webstore.

Water Column & Forager

This is a new drawing called WATER COLUMN. It is available for sale on my webstore.

WATER COLUMN is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on 200 G Cranson Watercolour Paper. The page size is 8.5″ x 11.”

This piece, FORAGER, is also available.

FORAGER is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on toned 250 GSM acid free Stonehenge paper. The page size is 9″ x 12.”

Purchased item ships flat, well protected in 3 layers of foamcore.