Darkness

This is a newly completed silverpoint drawing called Darkness. The under drawing was done in 2016, and it was intended to be the third in a series of three (Flowers of Wisdom and Ptah, also shown), but I ran out of time. I finally found some time to render Darkness this week. If you look closely at this scan, you can see the parts of the drawing that have not yet tarnished. The other two sold long ago, so unfortunately they will never hang as a grouping (unless the same collector buys it, whomever they are!) At least here, you can see them as I originally intended. I hope you enjoy them.

Darkness_web

Orphans

I haven’t posted here for a while because I’m working on some larger projects. In the meantime thought it would be fun to round up a few orphan works. These works were created more or less as materials or technique exercises, or explorations of certain ideas. Hope you enjoy this peek at my process.

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Watcher,  2018, ink with watercolour tint, 10″ x 8″

This drawing done for fun. It is a brush and ink drawing with a watercolour tint. The underlying monochrome base bled, which gives the piece its mottled appearance.

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Dark Brotherhood, 2018, acrylic on watercolour board, 10″ x 8″

I really like this piece and hope to use this technique more in the future. The image itself is essentially the same composition at the piece above.

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Forester, 2018, acrylic on watercolour board, 10″ x 8″

Another acrylic piece.

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Blue Mask, 2018, watercolour, 6″ x 3″

Yes, this is ugly and a little forlorn. It was basically a stress test for the paper. I kept loading pigment to see what this very thick watercolour paper could absorb. The painting is very tiny and unfortunately its difficult to see properly on a screen. Up close, there are some interesting little passages, such as the one the detail below shows.

Blue_Mask_detail_web

– Richard.

Update

This is an oil I’m working on. I set up a mini-studio on my porch for better ventilation.

I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”

Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.

Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.

– Richard

The Hidden Exhibition

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I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.

Here are some detail shots.

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– Richard.

Antipodes Project

Hot off the drawing table, a new ink drawing for the Antipodes Project originally started by artist Ben Tolman. Visit Joe MacGown’s blog for a good background on the project. I really enjoy creating these intensely packed drawings.

I should also mention that my drawing Hypnos is on display this weekend at Copro Gallery as part of the Underworld show. Contact the gallery for information.

  • Richard.
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Hypnos, 2017, ink on paper, 11″ x 8″

Symphonist 5

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Symphonist No.5 is a silverpoint miniature (4″x3″). It’s one of an ongoing series. Silverpoint lends itself beautifully to miniature work due to the precision you can get with the silver stylus. Over time, this drawing will darken as the particles of silver trapped by the ground begin to tarnish.