Do We Make You Uneasy?

Drawings, Exhibitions, Prints, Works for Sale

THE SHADOWOOD COLLECTIVE proudly presents their 7th show… DO WE MAKE YOU UNEASY? After 6 years of hibernating the collective crawls out of the shadows and presents a stunning collection of dark imagery. With original works from Clive Barker and Anita Kunz at the helm of the exhibition, not to mention a fantastic assortment of whimsical miniatures created by an incredible group of award winning artists, you simply don’t want to miss opening night! Special deals on much of the artwork will be exclusively available to everyone who purchases a ticket. We are especially happy to announce that “SEDATIVE” (Mark Thibideau) will be performing darkly ambient noises, beats and grooves to emphasize the themes within the show. In the lower gallery, we will be showcasing a collection of video installations, short films and music videos that involved several members of the Shadowood Collective (see the trailer for clues to what those may be, and yes the directors will be in attendance). For those who would like to imbibe within the shadows… this event will indeed be licensed. It’s worth noting that anyone who buys a VIP ticket will also get a very limited nickel enamel “Shadowood Collective” pin (see the design below, each one with a unique number etched on the back). A VIP ticket holder also gets an exclusive SHADOWOOD COLLECTIVE poster signed by the artist. Order your advanced VIP ticket now before they are gone… there are only 100 available.

You can also purchase the tickets directly at The ARTS Project directly at their box office here ~ 203 Dundas Street, London, Ontario 519.642.2767

Artists Included:

Clive Barker, Anita Kunz, Alex Garant, My Pet Skeleton, Sarah Legault, Sara Deck, Richard A. Kirk, Jeremy Hobbs, Ryan Price, Paige Reynolds, Gary Pullin, Justin Erickson, FN Vegas, Anthony Veilleux, James Zirco Fisher, Josh Deck, Chris Austin, Nidia Martinez, Sean Chappell

The show will run from Feb 7th – 19th.

Nightdress

Drawings, Illustration, Works for Sale
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NIGHTDRESS, 2016, charcoal, 12″ x9″

I did this new piece as a break between illustrations. Sometimes I just get images that I have to get out of my head. This was one. It is conceptually similar to a watercolour that I did earlier in the year called HUNGER. This one is a bit darker in tone. When I get a chance I’ll be putting NIGHTDRESS up on my webstore. Okay, back to work.

Richard.

A Grotesque

Books, Drawings, Illustration, Natural History

Dictionary.com defines grotesque as

fantastic in the shaping and combination of forms,as in decorative work combining incongruous human and animal figures with scrolls,foliage,etc.

This new piece is the first of many I’m doing on a beautiful block of 140lb Arches coldpress paper. My go-to paper is their hotpress, but the texture of the coldpress is perfect for these small pieces. It looks great in a raking light. I like to hang miniatures in unexpected places in a house, where the light can find them at a certain time of day. I hope you enjoy this one. In my filing system, it is Grotesque_1 but in my mind it is the Flowerfish.

If you enjoy process shots, you can follow my work in progress snaps on Instagram. I also post interesting things related to my work that don’t necessarily require a blog entry. In the coming few weeks I’ll be posting images of new grotesques, some new personal works and some in-progress illustrations for a short story collection called Mythos Tales, by Caitlin R. Kiernan, to be published by Centipede Press. If you are looking for original art work check out my Etsy store, Radiolaria Studios

  • Richard
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Flowerfish, 2016, ink on paper, 7″ x 10″

Prong

Drawings, Uncategorized
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Prong, 2016, ink on paper, 12″ x 9″

This is a new drawing just finished today. I’ve had this creature in my head for the last couple of weeks and needed to let it out. What interested me about this subject was the questions between the main figure and the weird cyclopean pupa thing on its back. Is it a child of the pronged creature, something found, or a partner in crime? I’ll let you decide. Leave your thoughts in the comments section. I’ll be dropping Prong to my webstore shortly for anyone who feels like liquidating some of that tax return!

Since my last post I finished the new novel! 120K words! I am currently doing a final read through before submitting it to my agent later this month. I’m very excited about this one. and I can’t wait for the day I can share it with readers. If you like the kind of things I draw, you will definitely like this novel. It has many of the same dark fantasy elements.

I’m already thinking about the book, but for the rest of this month I am jumping back into the art work to illustrate a short story collection – author to be announced – and doing a brand new piece inspired by the writing of H. P. Lovecraft (see previous post f0r details.)

  • Richard.

Tin Man’s Dream

Drawings, Process, Work in Progress, Works for Sale
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Tin Man’s Dream, 2014-16, ink, 14″ x 10″

I finally finished rendering The Tin Man’s Dream in pointillism. This drawing was started back in 2014 as a line drawing. It sat for a year, during which time I digitally colored the image. At the end of last year I decided to complete it as a pointillism piece. I’m hanging on to the original, but I will be making a print in February, which will be available on my webstore. You can click on the images below to enlarge the images.

Luster of the Line – Silverpoint Exhibition

Drawings, Exhibitions, Silverpoint, Works for Sale

In my last post, I mentioned a silverpoint show coming up in February. I will be exhibiting my pieces, Flowers of Wisdom and Ptah. The gallery press release is below my images.

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The Luster of the Line: Drawings in Metalpoint
February 26 – March 25, 2016
Opeing Reception: Friday February 26, 6-9pm
The Clement Art Gallery
201 Broadway
Troy, NY 12180
http://www.clementart.com
518.272.6811
Curator: Jon Gernon
In the late Gothic/early Renaissance era, silverpoint emerged as a fine line drawing technique. Not blunting as easily as lead or tin, and rendering precise detail, silverpoint was especially favored in Florentine and Flemish workshops. Silverpoint drawings of this era include model books and preparatory sheets for paintings. Artists who worked in silverpoint include Jan van Eyck, Leonardo da Vinci, Albrecht Dürer and Raphael.

Silverpoint drawings have been described as elegant, delicate, and precise. They display the “hand of the artist” more than perhaps any other medium, and are more completely archival than any other; drawings from the late Medieval period through the Renaissance have survived to the present without damage due to the inertness and permanence of the materials.

A silverpoint drawing is made by dragging a silver rod or wire across a surface, often prepared with gesso or primer. Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. The softness of these metals made them effective drawing instruments.

The initial marks of silverpoint appear grey as other metalpoints, but silverpoint lines, when exposed to air, tarnish to a warm brown tone. The oxidation becomes perceptible over a period of several months. The speed of oxidation varies according to the level of pollution in the air. Historically, silverpoint styli ranged widely in composition from pure silver to heavily alloyed with copper.

This exhibition will show a variety of ideas and applications of this historical medium. Each of the artists in this show bring traditional and modern images together exploiting the beauty of the surface and the delicacy of lines.

Exhibting artists:
Jeannine Cook, Jon Gernon, Barbara Henning-Loomis, Eileen Kennedy, Richard Kirk,
Elaine Langerman, Tom Mazzullo, Banjie Getsinger-Nicholas, Kandy Phillips, Diane Savino

Approaching Exhibitions

Drawings, Exhibitions, Prints, Silverpoint, Works for Sale
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Detail of The Dawn Botanist, Tears of the Poppy

I am involved in 2 shows coming up very soon. The first is called Permanence, a group show at Haven Gallery, themed around works primarily executed in ink. The Dawn Botanist, which I delivered to the framer last week, will be my contribution. It looks like it will be an amazing show. The second show is a silverpoint show, and I’ll share details when the gallery has announced, which should be quite soon. Beyond January, I have 3 more shows planned at this time.

I spent some time today going through my print inventory and reconciling it with my webstore. Some of the older prints are down to single digits, and when they are gone they are gone. I will be moving on to new images for future print offerings. Amnesiac’s Library (see previous post) is currently with my print-maker. In addition to prints I have added 3 original drawings at sale prices.

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Finally, if you get get a chance, please check out The Weird Fiction Review site. Over the next few weeks they are serializing my short novel The Lost Machine. Chapter 1 was posted last Wednesday, along with an interview. The usual apologies to FB friends that have already heard this news.

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Amnesiac’s Library Prints

Media, Prints, Works for Sale

I am happy to announce that I will be releasing a new print in early 2016. The image is called Amnesiac’s Library. It will be printed by LUNA 7 on 17″ x 11″ 285 gsm Hahnemuhle Torchon paper.

The first 25 prints will be signed, and accompanied by a small sketch on a blank card. This card can be personalized. The cost of the print will be $40.00 US + shipping.

The print will be available through my online shop. Stay tuned for an announcement on when the print will be available for order. If you wish to be personally notified, please message me and I will add your name to my list.

In addition to creating prints for me, LUNA7 has created high quality prints for many other artists including Clive Barker, Menton3, Tom Taggart, Dominic Harman, Don Bertram and Ted McKeever.

  • Richard

 

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Amnesiac’s Library