This is a new drawing called “Vanishing Act.” I created it with Staedtler Pigment Liners (0.1 & .005) on 140lb Arches hot press paper over much of December, finishing it New Years Day (today). The turbulent composition reflects the times and the message, I assume, is clear enough.
Most of the past week was spent reading (Crossroads by Jonathan Franzen and Cloud Cuckoo Land by Anthony Doerr—both excellent) and recharging for the year ahead. In the coming weeks I’ll be working on a few illustration projects, initiating some personal art projects I have in mind, and doing some new writing. Sometime in January, my novel, TAILOR OF ECHOES, will arrive at the publisher from the printer. It was briefly delayed by supply chain issues. It is currently available for pre-order.
For some reason, I neglected to post the completed image of this piece. Here you go, along with a few details. This will be part of the Fiends of the Dark online exhibition by WOW X WOW. Stay tuned for details!
Wedding of the Earth and Sky, 2020, ink on archival art board, 20 x 16 inches
I am offering 20% off original art on my web store until Sunday, May 19. This is a great opportunity to pick up a smaller original work for a great price. Several have already sold. I won’t be offering sale prices again until the fall. Here is just one of the pieces currently available.
Pollen is a new drawing (personal work) that I finished towards the end of January. It was done using .13 & .18 Rotring Rapidograph pens. The image below is a quick iPhone shot of a new work in progress called Hearts Divided. I’m hoping to get it done in the next few weeks, working on it between other things. The piece is 17″ x 14,” ink on archival quality illustration board.
On the writing front, I’m in the middle of a full revision of my latest novel The Tailor of Echoes. My goal is to have it completed by the end of March.
This is a newly completed silverpoint drawing called Darkness. The under drawing was done in 2016, and it was intended to be the third in a series of three (Flowers of Wisdom and Ptah, also shown), but I ran out of time. I finally found some time to render Darkness this week. If you look closely at this scan, you can see the parts of the drawing that have not yet tarnished. The other two sold long ago, so unfortunately they will never hang as a grouping (unless the same collector buys it, whomever they are!) At least here, you can see them as I originally intended. I hope you enjoy them.
Ptah, Lord of Eternity, 2016, silverpoint, 9″ x 6″
I haven’t posted here for a while because I’m working on some larger projects. In the meantime thought it would be fun to round up a few orphan works. These works were created more or less as materials or technique exercises, or explorations of certain ideas. Hope you enjoy this peek at my process.
Watcher, 2018, ink with watercolour tint, 10″ x 8″
This drawing done for fun. It is a brush and ink drawing with a watercolour tint. The underlying monochrome base bled, which gives the piece its mottled appearance.
Dark Brotherhood, 2018, acrylic on watercolour board, 10″ x 8″
I really like this piece and hope to use this technique more in the future. The image itself is essentially the same composition at the piece above.
Forester, 2018, acrylic on watercolour board, 10″ x 8″
Another acrylic piece.
Blue Mask, 2018, watercolour, 6″ x 3″
Yes, this is ugly and a little forlorn. It was basically a stress test for the paper. I kept loading pigment to see what this very thick watercolour paper could absorb. The painting is very tiny and unfortunately its difficult to see properly on a screen. Up close, there are some interesting little passages, such as the one the detail below shows.
This is an oil I’m working on. I set up a mini-studio on my porch for better ventilation.
I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.
I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.