Bug Things Coming

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Bug Head (working title)

Along with a couple fairly involved ink drawings, I also have several paintings on the go. Everything is in various states, from OMFG why did I start this thing? to hey this is working. So, those of you who paint will know the piece above (put through a render on my “tin type” app) only has a neutral layer of oil. What you see here will vanish pretty quickly. I’ll post updates as I go along. I’m racking up half finished works to get me through the winter, like a squirrel storing nuts, or maybe a nut storing squirrels. Who’s to say?

Today’s musical recommendation is Foam Island by Darkstar. Or anything by Darkstar actually. Music is essential in the studio. If you don’t know them, check out Foam Island, I doubt you will be disappointed.

  • Richard.

Aviator

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Aviator, 2015, watercolour, 11″ x 7.5″
All images © Richard A. Kirk. Any reuse is strictly prohibited without permission of Richard A. Kirk
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Aviator – detail

This watercolour is a study for a future oil painting. I wanted to give the figure an avian quality, hence the placement of the eye. The whole piece hinges on that pitiless eye! I think it’s also quite funny. I have a series of paintings in mind featuring monsters in remote outdoor settings. I plan on doing these in the coming months, probably spread out over the year. If you’re wondering what that might look like, Tadpole Tales (below) is the kind of thing I am talking about. Each medium has its own qualities to recommend it.

  • Richard
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Tadpole Tales, 2014, oil, 8″ x 8″

Hunger

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Hunger, 2015, acrylic ink, 14″ x 10″
All images © Richard A. Kirk

I had to take advantage of the light this morning to do a watercolor (or strictly speaking an acrylic ink) painting. The paper wasp nest on the figure’s head is directly inspired by a yellow-jacket nest I’ve been watching over the summer in our garden. The recent cold mornings have killed off the nest, but over the past few months it was fascinating to watch the activity rise and fall with fluctuations in temperature and humidity. This figure is an anthropomorphic representation of hunger, a hunger that might be literal, but which I intended to be a more abstract.

  • Richard
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Hunger – detail

The Veil (on sale)

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The Veil, 2015, acrylic ink on paper, 12″ x 7″ (size approximate)
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Detail

Update: The Veil is sold!

The Veil is a cross hatched drawing done with a dip pen and then painted with acrylic inks. The drawing was done last year but the coloring was done today. One of these days I’d love to illustrate a book in this technique.

This piece is on sale. If you are interested you can check it out in my webstore. Each time one of my sale pieces sells, I put up a new sale piece (eventually).

– Richard.

Strangewood (Florestranha)

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Cover art for the Brazilian edition of Christopher Golden’s novel “Strangewood.”
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Original art for “Strangewood.”
© Richard A. Kirk, 2015

I had a nice time working on this painting last summer, so it is rewarding to see it in its finished form. The cover design looks great. I believe it comes out next month (March). The book also includes b/w interior illustrations.

Audubon’s Hare

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I came across this image while poking around on the Morgan Library and Museum website. It’s a beautiful sketch by Audubon. In the notes I discovered that Audubon had written a few lines in graphite on the back of the paper. I don’t know the circumstances that would have enabled Audubon to work at such a time, but the note is a moving reminder of what artist’s sometimes ask, and receive, from their work.

“I drew this Hare during one of the days of deepest sorrow I have felt in my life, and my only solace was derived from my Labour – This morning our beloved Daughter Eliza died at 2 o’clock – She is now in Heaven, and May our God ever bless her soul!”
James John Audubon, from the back of drawing “Gray Rabbit, Old Male, Female and Young.” Morgan Library and Museum.

– Richard.

Tadpole

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Tadpole, 2014, 8″ 8″, oil on board.

This piece is an oil miniature that I just finished on the weekend. It started life as a sketch in my Moleskine. I enjoyed working on it so much I think I’ll continue working in oils for a bit. I have some good ideas for more creatures like this. Summer is a nice time to paint because the natural light is so good. I hope you like this guy!

Richard.