Fish Scale was done as a personal piece, Night Flowers was a commission. Fish Scale may be an alien, walking a lonely shore on his first day on earth, or maybe he’s a creature that coalesced out of the landscape. Night Flowers stands before her mist shrouded woods. Is she barring entry, or is she here to guide you to a magic realm? I’ll let you come up with your own answers to these questions.
I just finished this new drawing. It was originally intended to be called Neume (see earlier post) but a different character emerged in my mind as I worked on it. I’ve added a few details for a closer look. This work will be for sale on my webstore shortly. If you are interested, hit me with an email or message.
Dictionary.com defines grotesque as
fantastic in the shaping and combination of forms,as in decorative work combining incongruous human and animal figures with scrolls,foliage,etc.
If you enjoy process shots, you can follow my work in progress snaps on Instagram. I also post interesting things related to my work that don’t necessarily require a blog entry. In the coming few weeks I’ll be posting images of new grotesques, some new personal works and some in-progress illustrations for a short story collection called Mythos Tales, by Caitlin R. Kiernan, to be published by Centipede Press. If you are looking for original art work check out my Etsy store, Radiolaria Studios
I came across the work of this artist, Pierre Huyghe today, thanks to a friend giving me one of his book covers. The video contains some arresting images, which resonated with me. Apparently there was a controversy about the dog in the video, but it was checked out and deemed to be happy and healthy.
One of the joys of the year coming to a close is thinking about what will come in the next year. This is a time when I make a lot of lists; possible names of new drawings, ideas for images, books I want to read and things to research. Right now I am thinking of a series of drawings that could be a book, or an exhibition or both. Time will tell. It’s going to be called Oneiric Natural History.
This watercolour is a study for a future oil painting. I wanted to give the figure an avian quality, hence the placement of the eye. The whole piece hinges on that pitiless eye! I think it’s also quite funny. I have a series of paintings in mind featuring monsters in remote outdoor settings. I plan on doing these in the coming months, probably spread out over the year. If you’re wondering what that might look like, Tadpole Tales (below) is the kind of thing I am talking about. Each medium has its own qualities to recommend it.
There is still much to be done on this new drawing, but having finished one fairly defined section I thought I’d share a work in progress (WIP). If you saw my earlier post on this piece, you’ll notice that I have added to the title. “Tears of the Poppy” is a line taken from the text of Thomas Pynchon’s Gravity’s Rainbow, a book that has been occupying my reading time and weirdly, or perhaps not so weirdly, my dreams for a few weeks now. The phrase fits the theme of this work.