Compulsion and Psychonaut

Books, Drawings, Illustration, ink, webstore, Works for Sale

I just finished these two decorative ink drawings. They were done with carbon black acrylic ink on heavy artboard. They are available for sale (and on sale!) on my webstore.

Just a reminder that I have a selection of larger works done over the past year available for viewing, and sale on my website. Check them out here.

On another note, Suntup Editions announced a new edition of Clive Barker’s novel Imajica today. It looks beautiful. Constant readers will remember that I did some illustrations for the Harper Perennial edition of the book to accompany the appendix by my friend Hans Rueffert. I’m pleased that the material we created gets a walk-on in this edition as well.

Thanks, Richard.

Woman's face surrounded by organic fantasy elements.
Compulsion, 2021, ink on artboard, 10 x 16″
Young woman's face framed with organic and mechanical fantasy elements.
Psychonaut, 2021, ink on artboard, 10″ x 16″

Lander 1

Cross Hatching, Details, Drawings, ink, Natural History, Stippling, Works for Sale
Lander 1, 2021, ink on 140lb Arches hotpress, 18 x 24 inches
Lander 1 detail

Lander 1 detail

The inspiration for Lander 1—and yes, expect a Lander 2 and 3—came from watching the Perseverance rover descend on Mars in February. I started thinking about humans being sole explorers/ representatives from earth. This piece imagines a true lander, with organic rather than mechanical senses, a spirit of earth lander, if you will.

I wish there was some way to better embed the music I was listening to when I was working on this piece, Coil’s Time Machines and Soliloquy for Lilith by Nurse with a Wound. These seem like the perfect soundtracks to meditate on the idea of vast unknown spaces.

Richard.

Mascot

Drawings, ink, Natural History, Works for Sale

I’ve had a very busy few days with non-art related things, so it was fun to have these little pieces to work on. They are part of a series I started with my last post. Hope you enjoy them as much as I did doing them. I think I’ll try something slightly larger in this style. Stay tuned.

For anyone who is interested, these pieces are available for sale on my webstore, at a very reasonable price. Thanks for looking!

Richard

Android and Friends

Drawings, ink, Process, Technique, watercolour, webstore, Work in Progress, Works for Sale

Over the weekend, I created a new series of miniatures. They were created on acid free art board with ink and brush and then tinted with watercolour. This grouping is the first six of twelve.

All six of these pieces are available on in my webstore.

iPhone shot showing the process graphite to ink
The first 6 miniatures rendered in ink
Superhero close up, before watercolour

Harbinger

Cross Hatching, Details, Drawings, Incentives, ink, Natural History, Prints, Stippling, Technique, webstore, Works for Sale

This week, I am showing my latest completed drawing called Harbinger. I started this piece on October 2 and finished it on December 6. I hope you enjoy checking out the detail shots below. I will be making a limited giclee print of Harbinger in the New Year. The best way to stay on top of my print drops and other new is to subscribe to my monthly newsletter through my website. It just takes a second. There will be some fun extras for newsletter subscribers in 2021 (special offers, sketch giveaways etc.). This work is available for sale. Please use the contact form below to inquire.

A reminder that my 20% off studio sale is active until the end of December.

Thanks for dropping by. Moving forward, I will be updating this blog every Sunday. That seems to work well with my routine and will remove the guesswork for regular readers.

Now, without further ado — Harbinger

Harbinger, 2020, ink on 140lb Arches hotpress, 22 x 16 inches
Harbinger, detail 1
Harbinger, detail 2
Harbinger, detail 3
Harbinger, detail 4
Harbinger, detail 5

Harbinger – Work in Progress

Books, Cross Hatching, Drawings, ink, Prints, Process, Stippling, Technique, Work in Progress

For the past few weeks I’ve been working on this large drawing called Harbinger (24″ x 18″). Check out the images below. I’m rendering with Pigma Micron 005 pens on 140lb Arches hotpress. I haven’t done a lot of finished work with Microns, so I wanted to give them a real workout to see what they could do. I still have a way to go, but generally speaking I really like these markers on the smooth Arches paper. I don’t think they could replace my trusty Rapidograph pens, but they do permit things the Rapidographs will not, like brushing the pigment onto the paper as the tips deplete, which is kind of interesting, so I’ll definitely use them again. My plan is to offer this piece as a giclee print, in the new year.

In other updates, I am just starting work on the illustrations for Tailor of Echoes, my forthcoming fantasy novel, from PS Publications in the new year. Really excited to start on this project. The novel is currently being copy edited. I also have another book illustration project, a “big” book, but I can’t talk about that yet, so I’ll just vaguepost for now. I’m also making good daily progress on the first draft of a new novel. 28K words in. It’s a healthy start and I hope to get a first draft over the winter.

Finally, Atropa (below) is still available from Copro Gallery. I think the show Roadside Attractions IV (curated by Cris Velasco) is probably over now, but if you are interested in this piece, please reach out to the gallery. I’d also like to thank Erica from that gallery and Cris, who rescued this piece when it went astray on route. You guys are the best!

Atropa

And it’s snowing, while the Jack O’ Lanterns are still rotting on my porch.

All for now!

  • Richard
Harbinger, a work in progress (iPhone snap).
Harbinger on my drawing table (iPhone snap).
Harbinger, detail (iPhone snap).
Harbinger, detail (iPhone snap).
Harbinger detail (iphone snap).

3 Windows

Cross Hatching, ink, Natural History, Process, Technique, Work in Progress, Works for Sale

One might be forgiven for thinking this piece a surrealist response to Aubrey Beardsley’s illustration, The Examination of the Herald from Lysistrata, but it is in fact a meditation on vision (see previous posts). I hope you have enjoyed watching this process. This work is available for purchase. Please message me with any questions.

  • Richard
3 Windows, 2020, ink on paper, 12 x 8″