I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.
I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.
I am showing you an illustration I did for the forthcoming Houses Under the Seaby Caitlin R. Kiernan (the image is shown as a crop in the link). This is the first time I have illustrated a book using carbon pencil instead of ink. It was an interesting process as the medium took the drawings in a different direction. I will definitely play with this in future projects.
I’m still working on illustrations for my own book, Magpie’s Ladder, which will be published later in the year.
In May, I will have work in a show at Copro Gallery in California. The show is Roadside Attractions III, curated by Cris Velasco.
I thought I’d share some photos from last night’s opening of the latest exhibition by the Shadowood Collective. Unfortunately I didn’t have a chance take as many picture as I would have liked, but these shots should give you an idea of the event. Co-curators Sarah LeGault and Vincent Marcone (My Pet Skeleton) brought together a remarkable group of artists that included printmakers, photographers, painters, graphite artists, animators, doll artists and fashion designers. I have no idea how they coordinated the hanging of the show in less than one day. The event was very well attended despite the cold night, and it was great to connect with other artists and art fans. Also, I got a very cool surprise at the opening, but I’ll save that for a future post!
Here’s a peek at the three miniature prints I am making available for the Shadowood Show mentioned in my previous post. These image are 3.75″ x 3.75,” in a limited run of 25 prints. I signed and numbered them today, and I’m really pleased how they came out. They are giclee prints on heavy stock and fit very tidily into the IKEA Ribba frame. As mentioned, any remaining prints will be sold through my webstore following the show.
The Shadowood Collective based in London, Ontario is opening a new show on Tuesday, February 6. I am really pleased be showing my drawing “Foundling,” at this event. I’ll also have numbered editions of 3 miniature prints available at the show. If you are in the area, don’t miss this one. Any prints remaining after the show will be sold through my online store.
Hot off the drawing table, a new ink drawing for the Antipodes Project originally started by artist Ben Tolman. Visit Joe MacGown’s blog for a good background on the project. I really enjoy creating these intensely packed drawings.
I should also mention that my drawing Hypnos is on display this weekend at Copro Gallery as part of the Underworld show. Contact the gallery for information.