This is a newly completed silverpoint drawing called Darkness. The under drawing was done in 2016, and it was intended to be the third in a series of three (Flowers of Wisdom and Ptah, also shown), but I ran out of time. I finally found some time to render Darkness this week. If you look closely at this scan, you can see the parts of the drawing that have not yet tarnished. The other two sold long ago, so unfortunately they will never hang as a grouping (unless the same collector buys it, whomever they are!) At least here, you can see them as I originally intended. I hope you enjoy them.
I spent much of yesterday finishing this drawing, which has been in my studio for a while. It was originally conceived for a Lovecraft themed show at Copro Gallery a couple of years ago (curated by Cris Velasco). Unfortunately, my workload at the time was very heavy and in the end I went with a smaller piece. Anyway, it was great to finally get this piece finished. Love this medium, and I will definitely be starting another carbon pencil piece right away. Hopefully it won’t take two years to finish!
These are two recent drawings done more or less back to back. If you look closely, you can see that they have similar compositional bones, despite the difference in technique. The Hollowing was created for a WOW X WOW show called Monochromagic coming up in September. The Candidate was created for an August show called The Thin Black Line, at Ars Memoria Gallery. Click on the images to open larger versions in a separate window.
I haven’t posted here for a while because I’m working on some larger projects. In the meantime thought it would be fun to round up a few orphan works. These works were created more or less as materials or technique exercises, or explorations of certain ideas. Hope you enjoy this peek at my process.
This drawing done for fun. It is a brush and ink drawing with a watercolour tint. The underlying monochrome base bled, which gives the piece its mottled appearance.
I really like this piece and hope to use this technique more in the future. The image itself is essentially the same composition at the piece above.
Another acrylic piece.
Yes, this is ugly and a little forlorn. It was basically a stress test for the paper. I kept loading pigment to see what this very thick watercolour paper could absorb. The painting is very tiny and unfortunately its difficult to see properly on a screen. Up close, there are some interesting little passages, such as the one the detail below shows.
I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.
Here are some detail shots.
The good folks a PS Publishing posted an announcement in this week’s newsletter for a new edition of To Charles Fort With Love by CRK. It included my cover art – Entomologist’s Daughter.
I am showing you an illustration I did for the forthcoming Houses Under the Sea by Caitlin R. Kiernan (the image is shown as a crop in the link). This is the first time I have illustrated a book using carbon pencil instead of ink. It was an interesting process as the medium took the drawings in a different direction. I will definitely play with this in future projects.
I’m still working on illustrations for my own book, Magpie’s Ladder, which will be published later in the year.
In May, I will have work in a show at Copro Gallery in California. The show is Roadside Attractions III, curated by Cris Velasco.
Lots more to come.