Orphans

I haven’t posted here for a while because I’m working on some larger projects. In the meantime thought it would be fun to round up a few orphan works. These works were created more or less as materials or technique exercises, or explorations of certain ideas. Hope you enjoy this peek at my process.

Watcher_web
Watcher,  2018, ink with watercolour tint, 10″ x 8″

This drawing done for fun. It is a brush and ink drawing with a watercolour tint. The underlying monochrome base bled, which gives the piece its mottled appearance.

Dark_Brotherhood_web
Dark Brotherhood, 2018, acrylic on watercolour board, 10″ x 8″

I really like this piece and hope to use this technique more in the future. The image itself is essentially the same composition at the piece above.

Forester_web
Forester, 2018, acrylic on watercolour board, 10″ x 8″

Another acrylic piece.

Blue_Mask_web
Blue Mask, 2018, watercolour, 6″ x 3″

Yes, this is ugly and a little forlorn. It was basically a stress test for the paper. I kept loading pigment to see what this very thick watercolour paper could absorb. The painting is very tiny and unfortunately its difficult to see properly on a screen. Up close, there are some interesting little passages, such as the one the detail below shows.

Blue_Mask_detail_web

– Richard.

The Hidden Exhibition

Hidden_Exhibition_final_web

I had a few free hours today so I finished my drawing “The Hidden Exhibition.” Ink on 140lb Arches hotpress paper, 12″ x 16.″ The work will be shown for the first time at the Roadside Attractions III show at Copro Gallery (curated by Cris Velasco). Inquiries can be made by contacting the gallery through their website. The show opens May 12. If you’ve been following my work in progress shots on this piece, thanks for checking it out.

Here are some detail shots.

Hidden_Exhibition_detail1_webHidden_Exhibition_detail2_webHidden_Exhibition_detail3_webHidden_Exhibition_detail4_web

– Richard.

Mid March Update

Tidal
Interior Illustration by Richard A. Kirk

I am showing you an illustration I did for the forthcoming Houses Under the Sea by Caitlin R. Kiernan (the image is shown as a crop in the link). This is the first time I have illustrated a book using carbon pencil instead of ink. It was an interesting process as the medium took the drawings in a different direction. I will definitely play with this in future projects.

I’m still working on illustrations for my own book, Magpie’s Ladder,  which will be published later in the year.

In May, I will have work in a show at Copro Gallery in California. The show is Roadside Attractions III, curated by Cris Velasco.

Lots more to come.

  • Richard.

March-hare

Antipodes Project

Hot off the drawing table, a new ink drawing for the Antipodes Project originally started by artist Ben Tolman. Visit Joe MacGown’s blog for a good background on the project. I really enjoy creating these intensely packed drawings.

I should also mention that my drawing Hypnos is on display this weekend at Copro Gallery as part of the Underworld show. Contact the gallery for information.

  • Richard.
neume_final_web
Hypnos, 2017, ink on paper, 11″ x 8″

Walking Backwards 2003

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Every now and then on this blog I surface a drawing from the depths of my hard drive. This one, from 2003, was done at a time when I was playing with the idea of doing comics, or a comic anyway. Other things came along and the idea was abandoned, partially for the sake of those other projects but mostly because a comic done in pointillism would basically have taken the rest of my life. Hope you enjoy this little peek.

  • Richard