I’m a couple of days late with this week’s post. Most of the past week was spent marshaling supplies needed for a couple of big illustration jobs, making sketches and basically getting into the creative headspace needed to immerse myself in a multi-month task. I’ve also been in the workshop assembling strip frames for my 8×8 oils, varnishing and trying not to amputate any essential digits. At some point in there I cleaned up the digital file of the Harbinger drawing so that it is ready for the printer in January.
This week I’ll get going on the aforementioned illustrations, and start a couple more of the 8 inch oils. I have an idea for another large ink, so I may spend some time on that as well.
On the writing front, I am almost finished working through the copy edit of Tailor of Echoes. My morning writing project (new novel) is making progress as well. I’ve edited everything I’d written earlier in the year, and now I’m producing new text. It’s very motivating to see that word count climbing.
Currently reading the Quincunx by Charles Palliser and listening to Cluster. If you haven’t seen the Brian Eno documentary called Man Who Fell to Earth, – an odd title given its association with Bowie – it’s on Amazon Prime. I stumbled on it a couple of days ago and it reminded me of a ton of amazing music I’d all but forgotten about.
This week, I am showing my latest completed drawing called Harbinger. I started this piece on October 2 and finished it on December 6. I hope you enjoy checking out the detail shots below. I will be making a limited giclee print of Harbinger in the New Year. The best way to stay on top of my print drops and other new is to subscribe to my monthly newsletter through my website. It just takes a second. There will be some fun extras for newsletter subscribers in 2021 (special offers, sketch giveaways etc.). This work is available for sale. Please use the contact form below to inquire.
A reminder that my 20% off studio sale is active until the end of December.
Thanks for dropping by. Moving forward, I will be updating this blog every Sunday. That seems to work well with my routine and will remove the guesswork for regular readers.
For the past few weeks I’ve been working on this large drawing called Harbinger (24″ x 18″). Check out the images below. I’m rendering with Pigma Micron 005 pens on 140lb Arches hotpress. I haven’t done a lot of finished work with Microns, so I wanted to give them a real workout to see what they could do. I still have a way to go, but generally speaking I really like these markers on the smooth Arches paper. I don’t think they could replace my trusty Rapidograph pens, but they do permit things the Rapidographs will not, like brushing the pigment onto the paper as the tips deplete, which is kind of interesting, so I’ll definitely use them again. My plan is to offer this piece as a giclee print, in the new year.
In other updates, I am just starting work on the illustrations for Tailor of Echoes, my forthcoming fantasy novel, from PS Publications in the new year. Really excited to start on this project. The novel is currently being copy edited. I also have another book illustration project, a “big” book, but I can’t talk about that yet, so I’ll just vaguepost for now. I’m also making good daily progress on the first draft of a new novel. 28K words in. It’s a healthy start and I hope to get a first draft over the winter.
Finally, Atropa (below) is still available from Copro Gallery. I think the show Roadside Attractions IV (curated by Cris Velasco) is probably over now, but if you are interested in this piece, please reach out to the gallery. I’d also like to thank Erica from that gallery and Cris, who rescued this piece when it went astray on route. You guys are the best!
And it’s snowing, while the Jack O’ Lanterns are still rotting on my porch.
I started working on this new piece today on a block of 140lb Arches hotpress. Tomorrow I’ll start the real work of rendering the image using diluted inks to model the forms. As I go along, I’ll post some progress shots here on the blog. Although I did many works with this technique in the past, its been a few months, so I’m looking forward to it.
I’ve been working on some silverpoint miniatures over the last few days. These are done with silver wire on a plate finish archival illustration board. I worked them directly on the ground with no under-drawing. I hope you enjoy them. If you are interested, they are posted on my webstore for sale.
Back in March, when Covid 19 started to seriously impact our lives, I knew I wanted to do a piece of art as a way of processing what was happening. I had a large sheet of watercolour paper mounted on an archival board that had been sitting around the studio for a number of years. This seemed like the right surface for this project. The imagery came out of my subconscious, mostly fragments of dreams I was having, and some were pulled from sketchbooks. The theme is simple: human knowledge and structures, represented by the tree of knowledge, are humbled before nature.
Most of this week was spent editing my novel Tailor of Echoes before it goes back to the publisher for copy editing, but today, I needed to break out the technical pens and draw this vignette piece called Rumour. It’s a playful reflection of everything going on in the world right now. The piece is available on my webstore.
Speaking of the webstore, my summer sale has now ended. Thanks to everyone who took advantage of the 25% off deal to pick up a print or original. It’s much appreciated. Please keep checking back as I will be adding new things from time to time.
Finally today, I just wanted to remind you that copies of my illustrated short story collection Magpie’s Ladder are still available on the PS Publications website. If you missed the trailer I made for the book, you can see it on Vimeo. My novels Necessary Monsters and The Lost Machineare now available on Audible in audiobook format from Ecyclopocalypse