I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.
fantastic in the shaping and combination of forms,as in decorative work combining incongruous human and animal figures with scrolls,foliage,etc.
This new piece is the first of many I’m doing on a beautiful block of 140lb Arches coldpress paper. My go-to paper is their hotpress, but the texture of the coldpress is perfect for these small pieces. It looks great in a raking light. I like to hang miniatures in unexpected places in a house, where the light can find them at a certain time of day. I hope you enjoy this one. In my filing system, it is Grotesque_1 but in my mind it is the Flowerfish.
If you enjoy process shots, you can follow my work in progress snaps on Instagram. I also post interesting things related to my work that don’t necessarily require a blog entry. In the coming few weeks I’ll be posting images of new grotesques, some new personal works and some in-progress illustrations for a short story collection called Mythos Tales, by Caitlin R. Kiernan, to be published by Centipede Press. If you are looking for original art work check out my Etsy store, Radiolaria Studios
This image shows the completed drawing, The Dark Bead. You can see details and work in progress images in previous posts. The Dark Bead is an ink pointillism drawing done primarily with a Rotring .13 technical pen, and a Koh I Noor .18 for the outlines. As is typical for pointillism, this drawing took many hours of work. I chose this style for its soft gradations and ability to deliver fine detail.
A theme of impenetrable mystery is at the heart of The Black Bead. The narrative revolves around the nature of the bead and its import to the creatures. The bead represents any kind of mystery and proposes that any mystery can seem magical until it is understood. The drawing also raises questions about the cottage in the distance, the identity of the creatures and the setting. It is deliberately non-committal about the time period, suggesting an otherworld scenario; a liminal place of change.
Up next is a larger piece for a show coming up at Copro Gallery later in the fall. Stay tuned.
Panspermia is a new piece I am working on. It will be a pointillism drawing when it is finished. What you are seeing here (or not seeing depending on your viewing device) is the graphite under-drawing. I’ll be posting “in progress” shots on this blog as I work on the rendering.
The same drawing with line work completed. The next step will will be to begin the pointillism rendering. I am going to start with the background and for forward.
Here is an early look at a new work called “Pins.” This is the graphite under drawing. Eventually it will be fully rendered in ink. It’s one of several drawings I am working on this summer. I hope you enjoy it (remember, to see a larger version, you can click on the image above.)