Vanishing Act

Books, Drawings, ink, Stippling, Technique

This is a new drawing called “Vanishing Act.” I created it with Staedtler Pigment Liners (0.1 & .005) on 140lb Arches hot press paper over much of December, finishing it New Years Day (today). The turbulent composition reflects the times and the message, I assume, is clear enough.

Vanishing Act, 2022, ink on paper, 13 x 9 inches

Most of the past week was spent reading (Crossroads by Jonathan Franzen and Cloud Cuckoo Land by Anthony Doerr—both excellent) and recharging for the year ahead. In the coming weeks I’ll be working on a few illustration projects, initiating some personal art projects I have in mind, and doing some new writing. Sometime in January, my novel, TAILOR OF ECHOES, will arrive at the publisher from the printer. It was briefly delayed by supply chain issues. It is currently available for pre-order.

Happy New Years!

Richard

The Bibliophile

Books, Illustration, ink, Magpie's Ladder, Works for Sale, writing

This drawing was originally going to be an interior illustration for my short story collection Magpie’s Ladder. I always liked the drawing, even if it didn’t quite capture the character it was intended to portray. I’ve renamed it The Bibliophile and put it up for sale on my Big Cartel shop along with a few other things.

This year has been all about books. Since my last blog update—August!—I finished the illustrations for Tailor of Echoes and I am waiting to hear from the publisher on the date of publication. I’m also making good progress on illustrations for another book that will be announced soon. I finished a first draft on my new novel and now I’m working through it to prepare it for beta readers and my new agent. So lots going on and lots to look forward to.

I’m reading Bewilderment by Richard Powers. Powers is one of my favorite contemporary authors. Last year I read his Orfeo. I’m also reading The Peripheral by William Gibson and The Mirror Thief by Martin Seay. This is the way I read, drifting from one book to another. Greedy reader. Oh yes, I’m also reading Elizabeth Kolbert’s new one, Under a White Sky.

All for now. I’m going to try and get this blog back on a weekly schedule as I hope to have some cool updates and announcements in the coming weeks.

Richard.

The Point

Books, Drawings, Fiction, Illustration, ink, Process, Technique, Work in Progress, writing

Another busy week in another weird summer. My new novel finally reached the point where the main character is calling the shots. If you write fiction, you know that this is the magical moment. It’s certainly the point I wait for with great anticipation, when I start keeping a Moleskine near the shower and fill my phone’s note app with cryptic comments like Does M have any residual fear of trains!!? It’s also the point where my family does a check in to see if I’m still breathing or just THINKING ABOUT THE NOVEL.

I reached 57K words this week, a little better than half way by my estimation. It’s less like a first draft than one of those progressive digital images that gradually comes into focus. I’ve been back over those 57K words quite a few times as I refined the story. For this new project I am writing a female protagonist. I really enjoyed the challenge of writing female characters in my other novels, and this particular piece called for a certain voice. I’m working hard to avoid the tropes to create a truly unique and believable character. So, the book is progressing well and plot things are layering in quite nicely. Oh, and I finally got a haircut.

This week I also finished a new illustration for my “Big Illustration Project”—sorry, can’t share yet. I’m creating these illustrations with a combination graphite, carbon and charcoal. Tools of choice are Blackwing 602s, and Pearls, Wolff’s carbon and Generals charcoal. All of them are a complete headache to keep a point on! I think I spend as much time sharpening as I do shading. No matter, every technique has its challenges and the results in this case are interesting indeed. Using the Blackwings for the light and medium values and the Wolff’s and Generals for those areas where I really need to lay in the darks.

August is going to be busy AF. I need to turn in my illustrations for my last novel THE TAILOR OF ECHOES to PS Publications by the end of August. Those illustrations will be inked.

In lieu of an image from the Big Illustration Project, here is an older drawing I did with the Wolffs, called Nightdress.

Thanks for reading, Richard

My studio buddy catching some ZZZZs