Off the Grid, Sort of but not Really

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This is an iPhone snap of a watercolor I did a few weeks ago. I plan to do a version of it in oil in due course. It was necessary to suspend my use of oil for a while as the products I was using led to some pretty trippy – but ultimately not fun – ocular migraines. Since then, I have added some odorless oils to my supply cabinet. I’m at the point where I can resume. I really like working in oil – though if you are familiar with my monochromatic ink work you would be forgiven for assuming otherwise. I’ll post my progress here.

At the moment, I am taking a break from social media, specifically Facebook, Instagram and Twitter, so this blog is your best bet if you are interested in my new work. My reasons for stepping back are largely related to a desire to enhance my productivity, but they are also related to the attitudes the designers of these platforms have for privacy, data harvesting, and surveillance. Time will tell how these issues are resolved but for now I plan to be more circumspect in the use of the platforms (though in full disclosure these blog posts are shared to Twitter).

If these issues are of interest to you also, I recommend:

The Age off Surveillance Capitalism by Shoshana Zuboff

World Without Mind by Franklin Foer

Zucked by Roger McNamee

Digital Minimalism by Cal Newport

These books have all been published recently and give excellent overviews of the issues from slightly different perspectives.

– Richard

Water Column & Forager

This is a new drawing called WATER COLUMN. It is available for sale on my webstore.

WATER COLUMN is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on 200 G Cranson Watercolour Paper. The page size is 8.5″ x 11.”

This piece, FORAGER, is also available.

FORAGER is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on toned 250 GSM acid free Stonehenge paper. The page size is 9″ x 12.”

Purchased item ships flat, well protected in 3 layers of foamcore.

Dawn Botanist – detail

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The Dawn Botanist, Tears of the Poppy – detail

This is a detail of the piece I am working at on this cold, cloudy November day. It’s a small figure but it took 3 hours to ink. The reason being that the brush I was using is superfine, and though the godless jpeg compression would not have you believe it, the gradations are quite subtle. I hope you enjoy this little peek. This morning’s musical selection in the studio was Foals. A really excellent band I was completely unaware of before 9 AM.

Also, a friendly reminder that the Bestowed Upon Us show opens tonight at the Alexi Era Gallery. If you are in the area, please go and check it out. I’ve seen the preview and it is a gorgeous show. Thanks for your support.

  • Richard.

The Veil (on sale)

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The Veil, 2015, acrylic ink on paper, 12″ x 7″ (size approximate)
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Detail

Update: The Veil is sold!

The Veil is a cross hatched drawing done with a dip pen and then painted with acrylic inks. The drawing was done last year but the coloring was done today. One of these days I’d love to illustrate a book in this technique.

This piece is on sale. If you are interested you can check it out in my webstore. Each time one of my sale pieces sells, I put up a new sale piece (eventually).

– Richard.