One of the pieces I’m working on this fall is The Wedding of the Earth and Sky. It will be entirely stippled with my trusty Rapidograph pens. I am pleased the progress so far. Apart from the pencilling, these images represent about 4-5 hours work thus far. I plan to submit piece for a show coming up in November, so really it will be one large Inktober effort. I’m already penciling two more pieces in this cycle of work. I’ll be posting updates as work progresses.
I am offering 20% off original art on my web store until Sunday, May 19. This is a great opportunity to pick up a smaller original work for a great price. Several have already sold. I won’t be offering sale prices again until the fall. Here is just one of the pieces currently available.
This is an iPhone snap of a watercolor I did a few weeks ago. I plan to do a version of it in oil in due course. It was necessary to suspend my use of oil for a while as the products I was using led to some pretty trippy – but ultimately not fun – ocular migraines. Since then, I have added some odorless oils to my supply cabinet. I’m at the point where I can resume. I really like working in oil – though if you are familiar with my monochromatic ink work you would be forgiven for assuming otherwise. I’ll post my progress here.
At the moment, I am taking a break from social media, specifically Facebook, Instagram and Twitter, so this blog is your best bet if you are interested in my new work. My reasons for stepping back are largely related to a desire to enhance my productivity, but they are also related to the attitudes the designers of these platforms have for privacy, data harvesting, and surveillance. Time will tell how these issues are resolved but for now I plan to be more circumspect in the use of the platforms (though in full disclosure these blog posts are shared to Twitter).
If these issues are of interest to you also, I recommend:
The Age off Surveillance Capitalism by Shoshana Zuboff
World Without Mind by Franklin Foer
Zucked by Roger McNamee
Digital Minimalism by Cal Newport
These books have all been published recently and give excellent overviews of the issues from slightly different perspectives.
My first blog post of 2019 is to show you one of the last drawings I did in 2018! Dreamsick is meant to convey that sense of disorientation that can sometimes follow you out of your dreams. Sometimes the feeling is a little sickening, but often it is a welcome change of perspective or perception.
This drawing is available for sale. Message me here, or through social media for details if you are interested. The piece is $500.00 CAN + $20.00 for shipping (Canada Post). Payment through Paypal. Image size is 5″ x 6″ with about .5″ of white border around the edge. It is drawn in silver on a white ground over acid free illustration board.
I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.
Symphonist No.5 is a silverpoint miniature (4″x3″). It’s one of an ongoing series. Silverpoint lends itself beautifully to miniature work due to the precision you can get with the silver stylus. Over time, this drawing will darken as the particles of silver trapped by the ground begin to tarnish.