This is an iPhone snap of a watercolor I did a few weeks ago. I plan to do a version of it in oil in due course. It was necessary to suspend my use of oil for a while as the products I was using led to some pretty trippy – but ultimately not fun – ocular migraines. Since then, I have added some odorless oils to my supply cabinet. I’m at the point where I can resume. I really like working in oil – though if you are familiar with my monochromatic ink work you would be forgiven for assuming otherwise. I’ll post my progress here.
At the moment, I am taking a break from social media, specifically Facebook, Instagram and Twitter, so this blog is your best bet if you are interested in my new work. My reasons for stepping back are largely related to a desire to enhance my productivity, but they are also related to the attitudes the designers of these platforms have for privacy, data harvesting, and surveillance. Time will tell how these issues are resolved but for now I plan to be more circumspect in the use of the platforms (though in full disclosure these blog posts are shared to Twitter).
If these issues are of interest to you also, I recommend:
The Age off Surveillance Capitalism by Shoshana Zuboff
World Without Mind by Franklin Foer
Zucked by Roger McNamee
Digital Minimalism by Cal Newport
These books have all been published recently and give excellent overviews of the issues from slightly different perspectives.
I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.
I’m busy creating new drawings. I just finished the top one, Wingless, today. I’ll be posting it in my webstore this weekend along with my drawing Prong – see earlier post. The other drawing Irridis was done for a friend.
This is a detail of the piece I am working at on this cold, cloudy November day. It’s a small figure but it took 3 hours to ink. The reason being that the brush I was using is superfine, and though the godless jpeg compression would not have you believe it, the gradations are quite subtle. I hope you enjoy this little peek. This morning’s musical selection in the studio was Foals. A really excellent band I was completely unaware of before 9 AM.
Also, a friendly reminder that the Bestowed Upon Us show opens tonight at the Alexi Era Gallery. If you are in the area, please go and check it out. I’ve seen the preview and it is a gorgeous show. Thanks for your support.
I’ve decided to start an irregular category on this blog called Walking Backwards. It’s like a Throwback Thursday thing but it will appear as the mood suits. Walking Backwards will feature works, dug from my groaning hard-drive, which I created in the past but haven’t posted in a while. How far back I go will depend on how brave I am feeling.
Today’s inaugural drawing was done back in 2006. I have to say that I love sepia ink, especially on a nicely pebbled watercolor paper. It feels like I drew the Misguided Taxidermist yesterday. I remember very clearly being pleased with the characters. I think it would be a blast to illustrate a book in them manner. Publishers prick your ears! I hope you enjoy this selection.