The past week was fairly busy. As previously mentioned, I am working on illustrations for a very special book. I expect that work to continue into 2022. It’s not a project I can or want to rush and the publisher is being very patient! More on that soon. I am also working on a number of personal works including a series of oil paintings, and two very large—for me—drawings that are 30” x 44.” All of these projects will keep me busy through the winter.
I am almost finished the edits to my new novel and will pass them on to my agent next month. This morning, I caught myself thinking about another book. Hopefully, I can start it in the new year.
If you have time and you’re looking for a unique Christmas gift, please head on over to my online shop.
Well, today is a rainy day in Southwestern, Ontario, but it is nothing compared to what BC has gone through in the past week. I wish them well through this tough time.
Last night I finished Mysterious Garden Ex.1 a new silverpoint drawing. As the name implies, I plan to do a few more of these imaginary plants. This work is available on my Big Cartel webstore.
On another note entirely, I have re-booted my book blog, Amnesiac’s Library. It’s a place where I talk about my book projects and post various bits of ephemera about book related stuff I like. I hope you’ll check it out and give it a “follow”.
Most of this week was spent editing my novel Tailor of Echoes before it goes back to the publisher for copy editing, but today, I needed to break out the technical pens and draw this vignette piece called Rumour. It’s a playful reflection of everything going on in the world right now. The piece is available on my webstore.
Speaking of the webstore, my summer sale has now ended. Thanks to everyone who took advantage of the 25% off deal to pick up a print or original. It’s much appreciated. Please keep checking back as I will be adding new things from time to time.
Finally today, I just wanted to remind you that copies of my illustrated short story collection Magpie’s Ladder are still available on the PS Publications website. If you missed the trailer I made for the book, you can see it on Vimeo. My novels Necessary Monsters and The Lost Machineare now available on Audible in audiobook format from Ecyclopocalypse
One of the pieces I’m working on this fall is The Wedding of the Earth and Sky. It will be entirely stippled with my trusty Rapidograph pens. I am pleased with the progress so far. Apart from the pencilling, these images represent about 4-5 hours work thus far. I’m already penciling two more pieces in this cycle of work. I’ll be posting updates as work progresses.
I am offering 20% off original art on my web store until Sunday, May 19. This is a great opportunity to pick up a smaller original work for a great price. Several have already sold. I won’t be offering sale prices again until the fall. Here is just one of the pieces currently available.
This is a newly completed silverpoint drawing called Darkness. The under drawing was done in 2016, and it was intended to be the third in a series of three (Flowers of Wisdom and Ptah, also shown), but I ran out of time. I finally found some time to render Darkness this week. If you look closely at this scan, you can see the parts of the drawing that have not yet tarnished. The other two sold long ago, so unfortunately they will never hang as a grouping (unless the same collector buys it, whomever they are!) At least here, you can see them as I originally intended. I hope you enjoy them.
Ptah, Lord of Eternity, 2016, silverpoint, 9″ x 6″
I haven’t posted here for a while because I’m working on some larger projects. In the meantime thought it would be fun to round up a few orphan works. These works were created more or less as materials or technique exercises, or explorations of certain ideas. Hope you enjoy this peek at my process.
Watcher, 2018, ink with watercolour tint, 10″ x 8″
This drawing done for fun. It is a brush and ink drawing with a watercolour tint. The underlying monochrome base bled, which gives the piece its mottled appearance.
Dark Brotherhood, 2018, acrylic on watercolour board, 10″ x 8″
I really like this piece and hope to use this technique more in the future. The image itself is essentially the same composition at the piece above.
Forester, 2018, acrylic on watercolour board, 10″ x 8″
Another acrylic piece.
Blue Mask, 2018, watercolour, 6″ x 3″
Yes, this is ugly and a little forlorn. It was basically a stress test for the paper. I kept loading pigment to see what this very thick watercolour paper could absorb. The painting is very tiny and unfortunately its difficult to see properly on a screen. Up close, there are some interesting little passages, such as the one the detail below shows.
This is an oil I’m working on. I set up a mini-studio on my porch for better ventilation.
I’ve been balancing my production between personal work for upcoming group shows, illustration and fiction writing. Balance is hard to achieve, especially when you get seduced by one particular project. This week is was short stories. I finished two that were, sort of, almost there. I might drop one here, to celebrate the first anniversary of my novel, Necessary Monsters. Like my art, my fiction isn’t intended for everyone. It’s my statement, my aesthetic. I love it when readers respond. It’s so gratifying when people “get it.”
Now that the two stories are finished, this weekend I am returning to the final illustrations for my collection of short stories (Magpie’s Ladder, PS Publishing, later this year). Work on my next novel is progressing, but it’s the kind of thing that has to slow cook.
Booking group shows into 2019. Very excited by projects coming down the line. Thanks for your interest and support.