I can now show you the cover art for the Russian edition (Eksmo) of my novel Necessary Monsters. I really like the cover, it reminds me of George McDonald’s Lilith, which has a nice resonance for me. Quite a thrill to see this. Unfortunately, I don’t know the artist’s name yet, but I will update when I find out. The image below is the original edition (Arche Press), which features my art, a crop from my drawing Chimera.
This image shows the completed drawing, The Dark Bead. You can see details and work in progress images in previous posts. The Dark Bead is an ink pointillism drawing done primarily with a Rotring .13 technical pen, and a Koh I Noor .18 for the outlines. As is typical for pointillism, this drawing took many hours of work. I chose this style for its soft gradations and ability to deliver fine detail.
A theme of impenetrable mystery is at the heart of The Black Bead. The narrative revolves around the nature of the bead and its import to the creatures. The bead represents any kind of mystery and proposes that any mystery can seem magical until it is understood. The drawing also raises questions about the cottage in the distance, the identity of the creatures and the setting. It is deliberately non-committal about the time period, suggesting an otherworld scenario; a liminal place of change.
Up next is a larger piece for a show coming up at Copro Gallery later in the fall. Stay tuned.