Houses Under the Sea – interior illustration

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Interior Illustration for Houses Under the Sea

This is an illustration for one of Caitlin R. Kiernan’s short stories in the recently published Houses Under the Sea (Centipede Press). I’m showing the image in its original state because I like the warmth of the off white Arches paper (the file submitted to the publisher was altered for printing). The finished book is beautifully  made. Below are a few snaps so you can see how the artwork was incorporated into the design.

– Richard

Illustration – Houndwife

Houndwife
Interior illustration by Richard A. Kirk

This is a second illustration for Caitlin R. Kiernan’s Houses Under the Sea, forthcoming from Centipede Press, and the last that I can show for now. It goes with a story called Houndwife and was also done with carbon pencil.

In this post, I also want to give a shout out to my friend Steve Venright who has a new book (November 2017) called The Least You Can Do is Be Magnificent

From the Anvil Press Website –

For over thirty years, Steve Venright has devoted himself to the liberation of the imagination, documenting hallucinatory trips through Southwestern Ontario’s deliriomantic landscapes with his signature puns, portmanteaus, and spoonerisms. The Least You Can Do Is Be Magnificent: Selected & New Writings is a generous gathering of Venright’s most enduring and extraordinary poems, including the revised and expanded “Manta Ray Jack and the Crew of the Spooner”— the most outlandish and hilarious seafaring tale since Lewis Carroll’s The Hunting of the Snark. This volume also features an in-depth examination of Venright’s work by scholar Alessandro Porco.

Least cover sketches

Mid March Update

Tidal
Interior Illustration by Richard A. Kirk

I am showing you an illustration I did for the forthcoming Houses Under the Sea by Caitlin R. Kiernan (the image is shown as a crop in the link). This is the first time I have illustrated a book using carbon pencil instead of ink. It was an interesting process as the medium took the drawings in a different direction. I will definitely play with this in future projects.

I’m still working on illustrations for my own book, Magpie’s Ladder,  which will be published later in the year.

In May, I will have work in a show at Copro Gallery in California. The show is Roadside Attractions III, curated by Cris Velasco.

Lots more to come.

  • Richard.

March-hare

Mythos Tales

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Interior illustration for Houses Under the Sea, Mythos Tales

Caitlin R. Kiernan has posted this illustration to her blog, so I guess I am okay to share it here as well. This is for the forthcoming Houses Under the Sea, Mythos Tales. Caitlin has provided details about this book on her blog. The book also features amazing art by John Kenn Mortensen and Vince Locke. Houses Under the Sea, Mythos Tales will be available from Centipede in 2017.

  • Richard.

A Grotesque

Dictionary.com defines grotesque as

fantastic in the shaping and combination of forms,as in decorative work combining incongruous human and animal figures with scrolls,foliage,etc.

This new piece is the first of many I’m doing on a beautiful block of 140lb Arches coldpress paper. My go-to paper is their hotpress, but the texture of the coldpress is perfect for these small pieces. It looks great in a raking light. I like to hang miniatures in unexpected places in a house, where the light can find them at a certain time of day. I hope you enjoy this one. In my filing system, it is Grotesque_1 but in my mind it is the Flowerfish.

If you enjoy process shots, you can follow my work in progress snaps on Instagram. I also post interesting things related to my work that don’t necessarily require a blog entry. In the coming few weeks I’ll be posting images of new grotesques, some new personal works and some in-progress illustrations for a short story collection called Mythos Tales, by Caitlin R. Kiernan, to be published by Centipede Press. If you are looking for original art work check out my Etsy store, Radiolaria Studios

  • Richard
Grotesque_1_web
Flowerfish, 2016, ink on paper, 7″ x 10″