Tag: birds

Atropa

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atropa_web
Atropa, 2020, ink on 140lb Arches hotpress paper, 14″ x 10″

I took advantage of a very rainy May weekend to finish this new piece called Atropa. It was done with .13 & .18 Rotring Rapidograph pens. I hope you enjoy it. The work is available. If you are interested, drop me a line.

– Richard

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Atropa – Detail 1
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Atropa – Detail 2
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Atropa – Detail 3
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Atropa – Detail 4

Wedding of the Earth and Sky

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For some reason, I neglected to post the completed image of this piece. Here you go, along with a few details. This will be part of the Fiends of the Dark online exhibition by WOW X WOW. Stay tuned for details!

  • Richard
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Wedding of the Earth and Sky, 2020, ink on archival art board, 20 x 16 inches
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Detail 1
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Detail 2
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Detail 3
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Detail 4

Aviator

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Aviator_web
Aviator, 2015, watercolour, 11″ x 7.5″
All images © Richard A. Kirk. Any reuse is strictly prohibited without permission of Richard A. Kirk
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Aviator – detail

This watercolour is a study for a future oil painting. I wanted to give the figure an avian quality, hence the placement of the eye. The whole piece hinges on that pitiless eye! I think it’s also quite funny. I have a series of paintings in mind featuring monsters in remote outdoor settings. I plan on doing these in the coming months, probably spread out over the year. If you’re wondering what that might look like, Tadpole Tales (below) is the kind of thing I am talking about. Each medium has its own qualities to recommend it.

  • Richard
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Tadpole Tales, 2014, oil, 8″ x 8″

The Dark Bead Finished

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dark_bead_final_web
The Dark Bead
2015
12″ x 8″
ink on 140lb Arches hotpress paper
All images © Richard A. Kirk. Any reuse is strictly prohibited without permission of Richard A. Kirk
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Detail 1
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Detail 2
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Detail 3

The Dark Bead is finally finished!

This image shows the completed drawing, The Dark Bead. You can see details and work in progress images in previous posts. The Dark Bead is an ink pointillism drawing done primarily with a Rotring .13 technical pen, and a Koh I Noor .18 for the outlines. As is typical for pointillism, this drawing took many hours of work. I chose this style for its soft gradations and ability to deliver fine detail.

A theme of impenetrable mystery is at the heart of The Black Bead. The narrative revolves around the nature of the bead and its import to the creatures. The bead represents any kind of mystery and proposes that any mystery can seem magical until it is understood. The drawing also raises questions about the cottage in the distance, the identity of the creatures and the setting. It is deliberately non-committal about the time period, suggesting an otherworld scenario; a liminal place of change.

Up next is a larger piece for a show coming up at Copro Gallery later in the fall. Stay tuned.

  • Richard.