Symphonist No.5 is a silverpoint miniature (4″x3″). It’s one of an ongoing series. Silverpoint lends itself beautifully to miniature work due to the precision you can get with the silver stylus. Over time, this drawing will darken as the particles of silver trapped by the ground begin to tarnish.
Fish Scale was done as a personal piece, Night Flowers was a commission. Fish Scale may be an alien, walking a lonely shore on his first day on earth, or maybe he’s a creature that coalesced out of the landscape. Night Flowers stands before her mist shrouded woods. Is she barring entry, or is she here to guide you to a magic realm? I’ll let you come up with your own answers to these questions.
I am shocked to see that I haven’t updated my blog since May. On the other hand, I don’t feel too bad because I stuck pretty much to my work plan for this year.
This summer saw the release of my fantasy novel Necessary Monsters. The earliest drafts of NM go back a few years, so this was significant for me. After that, I did some illustrations for somebody else’s book, which I enjoyed a lot (specifics to come). Once those were finished and turned in, it was time to sit down and look at my next novel, (working title Tailor of Echoes) with a fresh eye. Now, with that finished and turned into my agent, I am working on a series of illustrations for my short story collection Magpie’s Ladder. And this will take me close enough to the year’s end that I will still have time to do some Christmas shopping and call it a day, er, a year. Then it will be time to peek into that folder called, Fragments, where I keep the seeds for my next writing projects. I also have some art shows coming up, but I will talk more about those when the time comes. So there you have it, how I spent my summer and how I intend to spend my fall.
If you haven’t read my novel, and you’d like to, you can find it on Amazon. There are also a few signed copies on my webstore. I recently added an original pointillist ink drawing to the store, called Forager, so check that out too.
If you have read my novel, and you liked it, consider leaving a comment on Amazon or Goodreads, to help other readers find it.
For my part, I am reading Amatka by Karin Tidbeck, which looks amazing (check out her interview in the August edition of Locus). I’m also starting Brian Aldliss’s Helliconia trilogy, which is an unpardonable gap in my reading history.
Foundling is a new drawing that I completed for the inaugural online group exhibition by WOWXWOW called Lightning Bolts and Little Sparks. In honour of the show the site has posted a new interview with me. I hope you’ll take the time to check out this incredible show featuring the works of a truly diverse group of artists.
This is a new piece called Search Party. I’m taking a break from some large pieces to execute some smaller ideas. For this drawing I used brush and ink for the main subject and a dip pen for the background. It was done on archival Cranson board. I’ll probably do a few in this vein. It behooves me to mention that this drawing is available for purchase in my webstore, where earlier in the week I added a few other small originals.
Earlier in the month I sent the copy-edited manuscript of my novel Necessary Monsters back to the publisher. The publication date has been changed to June 6. It is available for pre-order on Amazon and other on-line sellers.
I also sent a revised to manuscript of my short-story collection Magpie’s Ladder to another publisher. I hope to have an announcement around this project in then next few weeks.
I am very excited to show you the cover of my new novel Necessary Monsters, which will be published this May and is now available for pre-order. I can’t wait to share this novel with readers. I re-wrote the book many times over the last few years, refining it to the book I saw in my head. It is, to paraphrase the publisher, true to my art. This observation pleased me immensely because I wrote it to explore the worlds I love through my characters stories. This is a novel filled with books, crumbling cities and unsettling landscapes, magic and of course, monsters. I hope you enjoy reading it as much as I did writing it.
Other stuff: I spent the last few days moving my website from one platform to another, taking the opportunity to simplify, and cull some older images. The flexibility of the new platform will make it a lot easier to keep the site updated. What can you expect to see? The work highlighted under the Portfolio tab is personal work and ranges from 2009 to present. The Illustration tab highlights various publications, which I either illustrated or contributed to. Over time, I will turn some of those images into gallery links, displaying images from the various projects. But that is phase 2 and will unfold time permitting. Another page, which will be more dynamic and added sooner, will be called Available Originals. My plan with the Available Originals page is to showcase original works appropriate to all budgets. Works on this page will typically be unframed. As an aside, I am very careful with the shipping of original work – at minimum, works are placed in an archival mylar sleeve and shipped sandwiched in 3 pieces of stiff foamcore, within a plastic bubble envelope. For those interested in purchasing a print, they are available in my webstore.