I can now show you the cover art for the Russian edition (Eksmo) of my novel Necessary Monsters. I really like the cover, it reminds me of George McDonald’s Lilith, which has a nice resonance for me. Quite a thrill to see this. Unfortunately, I don’t know the artist’s name yet, but I will update when I find out. The image below is the original edition (Arche Press), which features my art, a crop from my drawing Chimera.
I am very excited to show you the cover of my new novel Necessary Monsters, which will be published this May and is now available for pre-order. I can’t wait to share this novel with readers. I re-wrote the book many times over the last few years, refining it to the book I saw in my head. It is, to paraphrase the publisher, true to my art. This observation pleased me immensely because I wrote it to explore the worlds I love through my characters stories. This is a novel filled with books, crumbling cities and unsettling landscapes, magic and of course, monsters. I hope you enjoy reading it as much as I did writing it.
Other stuff: I spent the last few days moving my website from one platform to another, taking the opportunity to simplify, and cull some older images. The flexibility of the new platform will make it a lot easier to keep the site updated. What can you expect to see? The work highlighted under the Portfolio tab is personal work and ranges from 2009 to present. The Illustration tab highlights various publications, which I either illustrated or contributed to. Over time, I will turn some of those images into gallery links, displaying images from the various projects. But that is phase 2 and will unfold time permitting. Another page, which will be more dynamic and added sooner, will be called Available Originals. My plan with the Available Originals page is to showcase original works appropriate to all budgets. Works on this page will typically be unframed. As an aside, I am very careful with the shipping of original work – at minimum, works are placed in an archival mylar sleeve and shipped sandwiched in 3 pieces of stiff foamcore, within a plastic bubble envelope. For those interested in purchasing a print, they are available in my webstore.
Lumsden Moss is an escaped thief and an unrepentant bibliophile with a long-suffering desire to foist some karmic retribution on those who have wronged him. But when the opportunity to steal a rare book from the man who sentenced him to prison puts him on the wrong side of the wrong people, Moss finds himself on the run. And it’s not just the book he stole that these people want, it’s also the secrets of a long-forgotten location on Nightjar Island, a place cursed and abandoned since the Purge.
When Moss falls in with Imogen, a nimble-fingered thief who has taken a traveling bookcase filled with many secrets, he starts to realize how much of his unsavory past is indelibly tied to a frightening witch-child and her nightmarish pet monster.
In a fantastic world, still recovering from a war where magic and technology were fused together, Moss and Imogen must decipher the mystery of their mutual pasts in order to illuminate the dark heart that still lurks on Nightjar Island.
Bookending 2017, fall will see the publication of my illustrated short story collection Magpie’s Ladder. I just signed the contract for this project last week and will have more details when I am able to share them. Needless to say I’m very excited about both of these projects.
In late November I turned in 8 illustrations for Centipede Press’s edition of Caitlin R. Kiernan’s Houses Under the Sea – Mythos Tales. This title will be published sometime in 2017.
Also on the art front, I’m working on some new personal work, which I plan to share here as the winter progresses. Sometime in the next few months I’ll be participating in a show with the Shadowood Collective. Shadowood shows are always incredible and this one will be no exception.