Here’s a peek at the three miniature prints I am making available for the Shadowood Show mentioned in my previous post. These image are 3.75″ x 3.75,” in a limited run of 25 prints. I signed and numbered them today, and I’m really pleased how they came out. They are giclee prints on heavy stock and fit very tidily into the IKEA Ribba frame. As mentioned, any remaining prints will be sold through my webstore following the show.
The Shadowood Collective based in London, Ontario is opening a new show on Tuesday, February 6. I am really pleased be showing my drawing “Foundling,” at this event. I’ll also have numbered editions of 3 miniature prints available at the show. If you are in the area, don’t miss this one. Any prints remaining after the show will be sold through my online store.
Further to my last post, PS Publishing has just posted its December newsletter. It includes the full wrap around illustration for Odin’s Girl by Kim Wilkins, which I share here. It also shows a little of an interior illustration, which you can see by following the link.
I am currently hard at work/ play creating the illustrations for Magpie’s Ladder (also mentioned in the newsletter). I will be posting some teasers on my Instagram account. So if you are interested, please follow me there. The link is at the bottom of this page.
Hot off the drawing table, a new ink drawing for the Antipodes Project originally started by artist Ben Tolman. Visit Joe MacGown’s blog for a good background on the project. I really enjoy creating these intensely packed drawings.
I should also mention that my drawing Hypnos is on display this weekend at Copro Gallery as part of the Underworld show. Contact the gallery for information.
Here is a new piece that I finished this afternoon called VOICES DRY AND HOLLOW. The title comes from lyrics of a song by Team Sleep called Tomb of Liegia:
“Hear the crowd of ghosts,
Their voices dry and hollow,
Can’t you hear their calls?
They cheer me to the gallows.”
The art has no affiliation with the band, I just liked the words and the song. I hope you like the piece. If you are interested in purchasing this work, please check out my webstore.
This is a new drawing called WATER COLUMN. It is available for sale on my webstore.
WATER COLUMN is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on 200 G Cranson Watercolour Paper. The page size is 8.5″ x 11.”
This piece, FORAGER, is also available.
FORAGER is an original pen and ink pointillism drawing by Richard. It was created with .18 & .25 Rotring pens on toned 250 GSM acid free Stonehenge paper. The page size is 9″ x 12.”
Purchased item ships flat, well protected in 3 layers of foamcore.
I am shocked to see that I haven’t updated my blog since May. On the other hand, I don’t feel too bad because I stuck pretty much to my work plan for this year.
This summer saw the release of my fantasy novel Necessary Monsters. The earliest drafts of NM go back a few years, so this was significant for me. After that, I did some illustrations for somebody else’s book, which I enjoyed a lot (specifics to come). Once those were finished and turned in, it was time to sit down and look at my next novel, (working title Tailor of Echoes) with a fresh eye. Now, with that finished and turned into my agent, I am working on a series of illustrations for my short story collection Magpie’s Ladder. And this will take me close enough to the year’s end that I will still have time to do some Christmas shopping and call it a day, er, a year. Then it will be time to peek into that folder called, Fragments, where I keep the seeds for my next writing projects. I also have some art shows coming up, but I will talk more about those when the time comes. So there you have it, how I spent my summer and how I intend to spend my fall.
If you haven’t read my novel, and you’d like to, you can find it on Amazon. There are also a few signed copies on my webstore. I recently added an original pointillist ink drawing to the store, called Forager, so check that out too.
For my part, I am reading Amatka by Karin Tidbeck, which looks amazing (check out her interview in the August edition of Locus). I’m also starting Brian Aldliss’s Helliconia trilogy, which is an unpardonable gap in my reading history.